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Florian T M Zeisig is an artist, musician and producer. He holds an MA in Sound Studies from the University of the Arts, Berlin and the title Meisterschüler in Fine Arts from HfBK, Dresden where he studied under Alva Noto from 2019-2021. As an artist, musician and producer he is interested in personal, inter-personal and real-life experiences that he weaves into sound-based frameworks. Florian has produced works in Sound-art, installations, multichannel tape compositions Read more on Last.fm

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John Bence is a composer and producer from Bristol, UK, whose work tackles epic narrative themes and uncompromising sonics with a juddering emotional punch. Over just a handful of releases including those for Nicholas Jaar's Other People imprint and Yves Tumor's label Grooming, Bence has built up a striking body of work, utilising music-making practices that span centuries in order to probe the full spectrum of the human psyche, its tragedies, ecstasies and all posts between. Read more on Last.fm

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OHYUNG (aka Lia Ouyang Rusli) is an experimental rap artist and film composer based in Brooklyn, New York. She has been featured in PAPER magazine, Tiny Mix Tapes, and other publications. In 2018, OHYUNG released her debut album Untitled (Chinese Man with Flame), synthesizing noise, trap, elements of traditional hip hop, as well as experimental ambient music, pop music, and tape loops. She aims to explore alternative and subversive Asian-American modalities through her art. Read more on Last.fm

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Space Afrika is the live hardware project of Josh Inyang and Josh Reid, two friends from high school. With their slow-stepping, spacious urban dub-scapes, Space Afrika harness ambient, Detroit techno and shades of early '90s Sheffield with a fresh and open approach to composition—like dub techno stripped-down, sealed in a time capsule and sent back from the near future. Friends for almost two decades, the two Joshuas formed Space Afrika after years of listening to music together Read more on Last.fm

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Microstoria is a collaboration between Markus Popp (Oval) and Jan St. Werner (Mouse On Mars). The resulting music is an electronic soundtrack, not without structure, not without melody. The "instruments " used are what could be seen as their successors- machines and digital technology. Where Oval eschews authorship of music, Microstoria explores authorship, especially in relation to improvisation. The tones used in composition are mechanized but paradoxically rich. Read more on Last.fm